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This home office was built in an old Victorian in Alameda for a couple, each with his own workstation. A hidden bookcase-door was designed as a "secret" entrance to an adjacent room. The office contained several printer cabinets, media cabinets, drawers for an extensive CD/DVD collection and room for copious files. The clients wanted to display their arts and crafts pottery collection and a lit space was provided on the upper shelves for this purpose. Every surface of the room was customized, including the ceiling and window casings.
La puerta de la zona de trabajo? - luis_arroyo81
竹林を借景とした、夏の夕暮れの風を感じる吹抜と縁側のある住まい
Diseño de despacho asiático, sin chimenea, con paredes blancas, suelo de madera clara, escritorio empotrado y suelo beige
本に囲まれたご主人書斎。
＜chair : Herman Miller社／Aeron Office Chair＞
＜Photography by shinsuke kera/urban arts＞
Ejemplo de despacho de estilo zen, de tamaño medio, con paredes blancas, suelo de madera oscura, escritorio empotrado y suelo marrón
Sho-sugi-ban, basically meaning burned cedar wood. This is a mix of river recovered cypress , oiled with pure linseed oil and burnt new growth cypress. The library was fitted between 12″ x12″ salvaged heart pine posts.
Ejemplo de despacho de estilo zen, sin chimenea, con paredes multicolor, suelo de madera en tonos medios y escritorio independiente
Work Area for Yoga studio- well used! A beam supports an extra long floating countertop
Home Office with access to beachside porch.
Architecture by David Poorman, Interior Design by Kelli Sultan
Our client, a professor of Japanese sociology at Harvard, owned a Deck House home with its post and beam construction and 1950’s modernist simplicity. She asked Feinmann to design a multi-purpose addition to meet several needs: a functional yet spacious home office, a beautiful entry way into the home, and a serene sitting area.
The client mentioned she has always wanted a Japanese “scholar’s study,” which is traditionally a contemplative workspace area enclosed by shoji screens. We told her the Japanese minimalism she desired and the clean modernist aesthetic of her existing home could marry quite nicely (the blending of East and West) with some thoughtful interventions.
The challenge then became finding a way to balance these styles. The house is surrounded by many trees, so bringing nature into the home was easily achieved through careful placement of windows throughout the addition. But the design element that brought it all together was the large translucent wall (kalwall) in the main hallway. This unique material allows for diffused natural light to envelop the living spaces. It has the same insulative properties as a typical exterior wall, and therefore is considered to be a great “green” building material. It is also quite versatile, and we were able to customize it to give our accent wall the Japanese feel of a shoji screen.
We reiterated this design element with actual shoji screens to enclose the scholar’s study, which also doubles as a guest room. Post-and-beam construction was continued from the existing house through the new addition in order to preserve aesthetic continuity.
Homeowner quote:
"I wanted a certain feeling and the Feinmann architect really got it. I had already been through three different architects—one even said that the house was a tear down."
Awards:
• 2007 Gold Prism Award Renovation/Addition Best Remodeling/Restoration under $250K
• 2007 Best of the Best Design Award Residential Addition for Best Project under $250K
• 2007 Remodeling Design Merit Award Residential Addition $100 - $250K
• 2007 Regional NARI Award Contractor of the Year: Residential Addition
• 2006 Eastern Mass NARI Award Best Addition over $100K
Photos by John Horner
Y cuatro puertas? O 3 empotradas? - lara_mercedes
Designer: Maison Inc (Joelle)
Photographer: David Papazian
Roman Shades: LE1242 Tissage - Arabian
Imagen de despacho asiático con paredes marrones, moqueta y escritorio independiente
The home-office includes a built-in flat wall monitor to use for long distance conferences and a computer area seen at the right edge of the photo. Both the center table and the computer desk can be hydraulically lowered into the rectangular recess (horikotatsu) in the floor beneath them. When the table and desk are raised, these recesses provide leg room when sitting on the floor.
Photography by Robert Frith
Construction by Gransden Constructions
Diseño de despacho asiático con suelo de madera oscura, escritorio independiente y suelo marrón