21.663 ideas para salones con suelo de mármol y suelo de cemento
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World light estudio de illuminaciónImagen de salón abierto moderno con paredes blancas, suelo de cemento, pared multimedia y suelo gris
Marta Estarriol InteriorismeFoto de salón abierto y beige y blanco moderno de obra con paredes marrones, suelo de cemento, todas las chimeneas, marco de chimenea de metal, pared multimedia, suelo gris y panelado
Sube InteriorismoModelo de salón para visitas abierto y beige y blanco costero grande sin televisor con paredes beige, suelo de mármol, todas las chimeneas, suelo gris, casetón, papel pintado y alfombra
Estudio Hús - Arquitectura e interiorismoDiseño de biblioteca en casa abovedada y tipo loft contemporánea de tamaño medio con paredes blancas, suelo de cemento, todas las chimeneas, suelo gris y vigas vistas
SERRAN i MORA arquitectesFoto de salón abierto costero pequeño con televisor colgado en la pared, suelo de cemento, suelo gris, vigas vistas y ladrillo
Mesh Design ProjectsRoger Thompson Photographer
Modelo de salón para visitas abierto contemporáneo de tamaño medio con paredes blancas, suelo de cemento, todas las chimeneas, marco de chimenea de metal y suelo beige
Modelo de salón para visitas abierto contemporáneo de tamaño medio con paredes blancas, suelo de cemento, todas las chimeneas, marco de chimenea de metal y suelo beige
Architecture Saville IsaacsInterior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
ZeroEnergy DesignModern family loft in Boston’s South End. Open living area includes a custom fireplace with warm stone texture paired with functional seamless wall cabinets for clutter free storage.
Photos by Eric Roth.
Construction by Ralph S. Osmond Company.
Green architecture by ZeroEnergy Design. http://www.zeroenergy.com
Mohler + Ghillino ArchitectsWhen open, the slide/fold doors expand the living space and provide a strong connection to the tree-lined street.
photo: Ben Benschneider
Foto de salón abierto minimalista con suelo de cemento y suelo gris
Foto de salón abierto minimalista con suelo de cemento y suelo gris
Birch & BrassModelo de salón para visitas abierto y abovedado contemporáneo sin chimenea y televisor con paredes blancas, suelo de cemento y suelo gris
HW InteriorsModelo de salón para visitas abierto tradicional renovado pequeño sin televisor con paredes grises, todas las chimeneas, suelo de cemento, marco de chimenea de baldosas y/o azulejos y suelo beige
Adeeni Design GroupArchitecture: Sutro Architects
Landscape Architecture: Arterra Landscape Architects
Builder: Upscale Construction
Photography: Christopher Stark
Diseño de salón asiático con paredes blancas, suelo de cemento, chimenea lineal, marco de chimenea de hormigón y suelo gris
Diseño de salón asiático con paredes blancas, suelo de cemento, chimenea lineal, marco de chimenea de hormigón y suelo gris
FINNE ArchitectsThe Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Kimberley BryanKimberley Bryan
Diseño de salón para visitas abierto retro con paredes blancas, suelo de cemento, todas las chimeneas, marco de chimenea de piedra, televisor colgado en la pared y alfombra
Diseño de salón para visitas abierto retro con paredes blancas, suelo de cemento, todas las chimeneas, marco de chimenea de piedra, televisor colgado en la pared y alfombra
BBH Design StudioBBH Design Studio is an Design company directed by Debbie Flicki, Hani Flicki and Sete Bassan based in South Florida.
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Miami Home Décor magazine Publishes one of our contemporary Projects in Miami Beach Bath Club and they said:
TAILOR MADE FOR A PERFECT FIT
SOFT COLORS AND A CAREFUL MIX OF STYLES TRANSFORM A NORTH MIAMI BEACH CONDOMINIUM INTO A CUSTOM RETREAT FOR ONE YOUNG FAMILY. ....
…..The couple gave Corredor free reign with the interior scheme.
And the designer responded with quiet restraint, infusing the home with a palette of pale greens, creams and beiges that echo the beachfront outside…. The use of texture on walls, furnishings and fabrics, along with unexpected accents of deep orange, add a cozy feel to the open layout. “I used splashes of orange because it’s a favorite color of mine and of my clients’,” she says. “It’s a hue that lends itself to warmth and energy — this house has a lot of warmth and energy, just like the owners.”
With a nod to the family’s South American heritage, a large, wood architectural element greets visitors
as soon as they step off the elevator.
The jigsaw design — pieces of cherry wood that fit together like a puzzle — is a work of art in itself. Visible from nearly every room, this central nucleus not only adds warmth and character, but also, acts as a divider between the formal living room and family room…..
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Diseño de salón abierto actual con suelo de cemento y chimenea lineal
Diseño de salón abierto actual con suelo de cemento y chimenea lineal
Claridge ConstructionFoto de salón abierto moderno grande con paredes blancas, chimenea lineal, suelo de cemento, suelo negro y televisor colgado en la pared
21.663 ideas para salones con suelo de mármol y suelo de cemento
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