587 ideas para salones con estufa de leña y marco de chimenea de hormigón
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Dynia Architects
Located near the foot of the Teton Mountains, the site and a modest program led to placing the main house and guest quarters in separate buildings configured to form outdoor spaces. With mountains rising to the northwest and a stream cutting through the southeast corner of the lot, this placement of the main house and guest cabin distinctly responds to the two scales of the site. The public and private wings of the main house define a courtyard, which is visually enclosed by the prominence of the mountains beyond. At a more intimate scale, the garden walls of the main house and guest cabin create a private entry court.
A concrete wall, which extends into the landscape marks the entrance and defines the circulation of the main house. Public spaces open off this axis toward the views to the mountains. Secondary spaces branch off to the north and south forming the private wing of the main house and the guest cabin. With regulation restricting the roof forms, the structural trusses are shaped to lift the ceiling planes toward light and the views of the landscape.
A.I.A Wyoming Chapter Design Award of Citation 2017
Project Year: 2008
Diseño de salón para visitas cerrado de estilo de casa de campo sin televisor con paredes blancas, suelo de madera clara, estufa de leña, suelo beige y marco de chimenea de hormigón
株式会社kotori
開放的な、リビング・土間・ウッドデッキという構成が、奥へ行けば、落ち着いた、和室・縁側・濡縁という和の構成となり、その両者の間の4枚の襖を引き込めば、一体の空間として使うことができます。柔らかい雰囲気の杉のフローリングを走り廻る孫を見つめるご家族の姿が想像できる仲良し二世帯住宅です。
Foto de salón abierto y blanco grande con paredes blancas, suelo de madera en tonos medios, estufa de leña, marco de chimenea de hormigón, televisor colgado en la pared, suelo beige, papel pintado y papel pintado
Foto de salón abierto y blanco grande con paredes blancas, suelo de madera en tonos medios, estufa de leña, marco de chimenea de hormigón, televisor colgado en la pared, suelo beige, papel pintado y papel pintado
User
Now can we just talk about these windows? And this view? It’s like love at first sight, truly! And we wanted to take full advantage of this large bright space and keep in open but with an edge of modern sophistication. The clean lines of white, black and glass were balanced with the softness of the light wood accents. And if you’ve been following along with us for a while you know how we love to mix materials and this room really showcases that.
And we have to talk about this piano for a minute – we are OBSESSED with this white, vintage-looking piano and wanted to make it a focal! We love to incorporate pieces that a client already has and this piano was the perfect addition to this room. Using this black & white custom wall mural emphasized piano keys and was just the right touch of WOW without taking away from the rest of the space
野口修一/野口修アーキテクツアトリエ
千葉の木を使った骨組みをあらわしたリビング(家族室)土間スペースに薪ストーブを置いて、暖房だけでなく料理に多用します。
撮影 小泉一斉
Diseño de salón abierto asiático con paredes blancas, suelo de madera en tonos medios, estufa de leña, marco de chimenea de hormigón, televisor colgado en la pared y suelo marrón
Diseño de salón abierto asiático con paredes blancas, suelo de madera en tonos medios, estufa de leña, marco de chimenea de hormigón, televisor colgado en la pared y suelo marrón
Zweiheit Innenarchitekten
Offenes Wohnzimmer mit drehbarem Sofa, Kamin, offener Treppe zur Galerie mit Holzlamellen.
Foto de salón para visitas abierto actual grande con suelo de baldosas de cerámica, estufa de leña, marco de chimenea de hormigón, televisor retractable, suelo negro y madera
Foto de salón para visitas abierto actual grande con suelo de baldosas de cerámica, estufa de leña, marco de chimenea de hormigón, televisor retractable, suelo negro y madera
Amberth
On entering this home, the entrance hall naturally narrows slightly as a you move from the hall to the living room, with no door separating the two spaces. A wood burning fire, wooden logs, storage baskets and a radiator all sit neatly within the recess of the wall, creating a seamless look whilst allowing each element to bring personality to the room.
Photo credit: David Giles
Paul Cashin Architects
Photography by Richard Chivers https://www.rchivers.co.uk/
Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century.
The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome.
Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head.
The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles.
Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting.
A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
Smith Montaperto
Eleanor Montaperto
Foto de salón abierto ecléctico grande con paredes blancas, suelo de cemento, estufa de leña, marco de chimenea de hormigón, televisor retractable y suelo gris
Foto de salón abierto ecléctico grande con paredes blancas, suelo de cemento, estufa de leña, marco de chimenea de hormigón, televisor retractable y suelo gris
Taits Interiors - Curtains & Blinds
Warwick Fabrics
LA upholstery
Just Cushions
Ejemplo de salón abierto ecléctico de tamaño medio con paredes blancas, suelo de madera clara, estufa de leña, marco de chimenea de hormigón y suelo marrón
Ejemplo de salón abierto ecléctico de tamaño medio con paredes blancas, suelo de madera clara, estufa de leña, marco de chimenea de hormigón y suelo marrón
BARRETT STUDIO architects
Following the Four Mile Fire, these clients sought to start anew on land with spectacular views down valley and to Sugarloaf. A low slung form hugs the hills, while opening to a generous deck in back. Primarily one level living, a lofted model plane workshop overlooks a dramatic triangular skylight.
Stack + Co.
This extension of a 100-year old cottage in beautiful, pastoral Little Compton created a comfortable, cozy environment for domestic life and entertaining – spaces that are as unpretentious as the simple original building. Unique elements include bluestone countertops and hearth slab, custom vessel sinks and tiles created by the owner – a talented ceramic artist, a freestanding two-way hearth, salvaged antique doors and hardware, interior sliding barn doors and custom walnut casework.
Paul Cashin Architects
Photography by Richard Chivers https://www.rchivers.co.uk/
Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century.
The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome.
Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head.
The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles.
Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting.
A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
Swartz Photography
Swartz Photography
Diseño de biblioteca en casa abierta de estilo de casa de campo pequeña sin televisor con paredes blancas, suelo de madera clara, estufa de leña y marco de chimenea de hormigón
Diseño de biblioteca en casa abierta de estilo de casa de campo pequeña sin televisor con paredes blancas, suelo de madera clara, estufa de leña y marco de chimenea de hormigón
Chilton
The Wittus Danish Modern inspired Stack Wood Stove with wooden base, from Maine's Chilton Furniture Co.
Modelo de biblioteca en casa escandinava pequeña con suelo de linóleo, estufa de leña, marco de chimenea de hormigón y suelo blanco
Modelo de biblioteca en casa escandinava pequeña con suelo de linóleo, estufa de leña, marco de chimenea de hormigón y suelo blanco
Prentiss Balance Wickline Architects
Photography: Andrew Pogue
Diseño de salón abierto contemporáneo de tamaño medio sin televisor con paredes blancas, suelo de cemento, estufa de leña, marco de chimenea de hormigón y suelo gris
Diseño de salón abierto contemporáneo de tamaño medio sin televisor con paredes blancas, suelo de cemento, estufa de leña, marco de chimenea de hormigón y suelo gris
McKevitt King Architects
Richard Hatch Photography
Modelo de salón cerrado contemporáneo grande con paredes blancas, suelo de madera en tonos medios, estufa de leña, marco de chimenea de hormigón, televisor colgado en la pared y suelo gris
Modelo de salón cerrado contemporáneo grande con paredes blancas, suelo de madera en tonos medios, estufa de leña, marco de chimenea de hormigón, televisor colgado en la pared y suelo gris
AHG Interiors
Nick Glimenakis
Imagen de salón abierto de estilo de casa de campo de tamaño medio con paredes blancas, suelo de madera clara, estufa de leña, marco de chimenea de hormigón, televisor colgado en la pared y suelo blanco
Imagen de salón abierto de estilo de casa de campo de tamaño medio con paredes blancas, suelo de madera clara, estufa de leña, marco de chimenea de hormigón, televisor colgado en la pared y suelo blanco
Conscious Forms
London, Woolwich, standard grey polished concrete fire hearth ready for wood burning stove to sit on. Junior Phipps
Foto de salón para visitas abierto contemporáneo pequeño con paredes verdes, suelo de madera clara, estufa de leña, marco de chimenea de hormigón y televisor independiente
Foto de salón para visitas abierto contemporáneo pequeño con paredes verdes, suelo de madera clara, estufa de leña, marco de chimenea de hormigón y televisor independiente
さいとう建築工房
Imagen de salón abierto de estilo de casa de campo de tamaño medio con paredes blancas, televisor colgado en la pared, suelo de madera oscura, estufa de leña, marco de chimenea de hormigón, suelo marrón y madera
587 ideas para salones con estufa de leña y marco de chimenea de hormigón
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