1.895 fotos de entradas contemporáneas con puerta pivotante
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Bellas ArtesFoto de puerta principal actual de tamaño medio con paredes negras, suelo de baldosas de porcelana, puerta pivotante, puerta negra y suelo beige
AAHA StudioEntry foyer with millwork storage
Foto de distribuidor actual de tamaño medio con paredes blancas, suelo de madera clara, puerta pivotante, puerta de madera oscura y suelo marrón
Foto de distribuidor actual de tamaño medio con paredes blancas, suelo de madera clara, puerta pivotante, puerta de madera oscura y suelo marrón
Western CabinetsA bold entrance into this home.....
Bespoke custom joinery integrated nicely under the stairs
Imagen de vestíbulo posterior abovedado contemporáneo grande con paredes blancas, suelo de mármol, puerta pivotante, puerta negra, suelo blanco y ladrillo
Imagen de vestíbulo posterior abovedado contemporáneo grande con paredes blancas, suelo de mármol, puerta pivotante, puerta negra, suelo blanco y ladrillo
M.S. Vicas InteriorsDiseño de puerta principal contemporánea extra grande con puerta pivotante y puerta de vidrio
Orren Pickell Building Group http://www.pickellbuilders.com. Front entry is a contemporary mix of glass, stone, and stucco. Gravel entry court with decomposed granite chips. Front door is African mahogany with clear glass sidelights and horizontal aluminum inserts. Photo by Paul Schlismann.
Matt Fajkus Architecture
The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house.
The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day.
The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core.
Photography: Charles Davis Smith
Drewett WorksBelieve it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection.
The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls.
The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers.
The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match!
Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ
Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ
Builder: Shannon Construction | Phoenix, AZ
Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL
Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ
Photography: Dino Tonn | Scottsdale, AZ
Awards: 2014 Gold Nugget Award of Merit
Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”
Michael Fullen Design GroupKaryn Millet
Imagen de puerta principal contemporánea con paredes beige, puerta pivotante y puerta de vidrio
Imagen de puerta principal contemporánea con paredes beige, puerta pivotante y puerta de vidrio
Monster Ideas ArchitectsCustom copper clad sliding entry door opens from the side of the house to a split level entry. The hand marks on the door remain to retain character as the copper ages.
Cheng DesignFu-Tung Cheng, CHENG Design
• Interior View of Front Pivot Door and 12" thick concrete wall, House 6 concrete and wood home
House 6, is Cheng Design’s sixth custom home project, was redesigned and constructed from top-to-bottom. The project represents a major career milestone thanks to the unique and innovative use of concrete, as this residence is one of Cheng Design’s first-ever ‘hybrid’ structures, constructed as a combination of wood and concrete.
Photography: Matthew Millman
Moore Architects, PCThe renovation of the Woodland Residence centered around two basic ideas. The first was to open the house to light and views of the surrounding woods. The second, due to a limited budget, was to minimize the amount of new footprint while retaining as much of the existing structure as possible.
The existing house was in dire need of updating. It was a warren of small rooms with long hallways connecting them. This resulted in dark spaces that had little relationship to the exterior. Most of the non bearing walls were demolished in order to allow for a more open concept while dividing the house into clearly defined private and public areas. The new plan is organized around a soaring new cathedral space that cuts through the center of the house, containing the living and family room spaces. A new screened porch extends the family room through a large folding door - completely blurring the line between inside and outside. The other public functions (dining and kitchen) are located adjacently. A massive, off center pivoting door opens to a dramatic entry with views through a new open staircase to the trees beyond. The new floor plan allows for views to the exterior from virtually any position in the house, which reinforces the connection to the outside.
The open concept was continued into the kitchen where the decision was made to eliminate all wall cabinets. This allows for oversized windows, unusual in most kitchens, to wrap the corner dissolving the sense of containment. A large, double-loaded island, capped with a single slab of stone, provides the required storage. A bar and beverage center back up to the family room, allowing for graceful gathering around the kitchen. Windows fill as much wall space as possible; the effect is a comfortable, completely light-filled room that feels like it is nestled among the trees. It has proven to be the center of family activity and the heart of the residence.
Hoachlander Davis Photography
KBC DevelopmentsEjemplo de puerta principal actual con puerta pivotante y puerta de madera en tonos medios
Wiltrack Construction And Development Group LLCDiseño de puerta principal contemporánea grande con paredes beige, suelo de travertino, puerta pivotante, puerta de madera oscura y suelo beige
SINGLEPOINT DESIGN BUILD INC.Diseño de puerta principal actual de tamaño medio con paredes blancas, suelo de madera oscura, puerta pivotante y puerta negra
Ultraspace by Mark GacesaMark Gacesa/Dave
Imagen de puerta principal contemporánea con puerta pivotante
Imagen de puerta principal contemporánea con puerta pivotante
Prentiss Balance Wickline ArchitectsPhotographer: Jay Goodrich
This 2800 sf single-family home was completed in 2009. The clients desired an intimate, yet dynamic family residence that reflected the beauty of the site and the lifestyle of the San Juan Islands. The house was built to be both a place to gather for large dinners with friends and family as well as a cozy home for the couple when they are there alone.
The project is located on a stunning, but cripplingly-restricted site overlooking Griffin Bay on San Juan Island. The most practical area to build was exactly where three beautiful old growth trees had already chosen to live. A prior architect, in a prior design, had proposed chopping them down and building right in the middle of the site. From our perspective, the trees were an important essence of the site and respectfully had to be preserved. As a result we squeezed the programmatic requirements, kept the clients on a square foot restriction and pressed tight against property setbacks.
The delineate concept is a stone wall that sweeps from the parking to the entry, through the house and out the other side, terminating in a hook that nestles the master shower. This is the symbolic and functional shield between the public road and the private living spaces of the home owners. All the primary living spaces and the master suite are on the water side, the remaining rooms are tucked into the hill on the road side of the wall.
Off-setting the solid massing of the stone walls is a pavilion which grabs the views and the light to the south, east and west. Built in a position to be hammered by the winter storms the pavilion, while light and airy in appearance and feeling, is constructed of glass, steel, stout wood timbers and doors with a stone roof and a slate floor. The glass pavilion is anchored by two concrete panel chimneys; the windows are steel framed and the exterior skin is of powder coated steel sheathing.
1.895 fotos de entradas contemporáneas con puerta pivotante
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