550 fotos de comedores con suelo de cemento
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Soledad Builders, LLCIn lieu of a formal dining room, our clients kept the dining area casual. A painted built-in bench, with custom upholstery runs along the white washed cypress wall. Custom lights by interior designer Joel Mozersky.
NR InteriorsWe fully furnished this open concept Dining Room with an asymmetrical wood and iron base table by Taracea at its center. It is surrounded by comfortable and care-free stain resistant fabric seat dining chairs. Above the table is a custom onyx chandelier commissioned by the architect Lake Flato.
We helped find the original fine artwork for our client to complete this modern space and add the bold colors this homeowner was seeking as the pop to this neutral toned room. This large original art is created by Tess Muth, San Antonio, TX.
Slab Art studioA black walnut dining table, suspended on a steel cantilever base, which is mounted directly into the cement floor. We'd like to thank Yumi Kagamihara, interior designer, who invited us to collaborate on this stunning home project. Slab Art Studios designed the walnut table top; the homeowner designed the base. We're delighted to see the final piece in its beautiful home setting.
This black walnut slab holds a more organic statement than most. Unlike most dining-table slabs, we did not flatten it completely to accommodate traditional dining. Rather, we left some of the subtle curves and undulations garnered from three years of air- and kiln-drying. Then we smoothed it out just enough to provide an inviting, usable surface.
9' x 44" x 3"
Photo: Yum Kagamihara
FINNE ArchitectsThe Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Legacy Post & BeamPost and beam wedding venue great room with vaulted ceilings
Imagen de comedor rústico extra grande abierto con paredes blancas, suelo de cemento, suelo gris y vigas vistas
Imagen de comedor rústico extra grande abierto con paredes blancas, suelo de cemento, suelo gris y vigas vistas
Vivian Soliemani DesignThis open concept dining room not only is open to the kitchen and living room but also flows out to sprawling decks overlooking Silicon Valley. The weathered wood table and custom veneer millwork are juxtaposed against the sleek nature of the polished concrete floors and metal detailing on the custom fireplace.
Cultivate Design CoHK Living
Cultivate Design Co.:
Lights, decor and tableware in-store
Table and chair can be ordered in
Diseño de comedor exótico grande con suelo de cemento
Diseño de comedor exótico grande con suelo de cemento
Pearson Design GroupDiseño de comedor actual extra grande con paredes beige, suelo de cemento, chimenea de doble cara y marco de chimenea de piedra
Projet Wabi-sabiUne belle et grande maison de l’Île Saint Denis, en bord de Seine. Ce qui aura constitué l’un de mes plus gros défis ! Madame aime le pop, le rose, le batik, les 50’s-60’s-70’s, elle est tendre, romantique et tient à quelques références qui ont construit ses souvenirs de maman et d’amoureuse. Monsieur lui, aime le minimalisme, le minéral, l’art déco et les couleurs froides (et le rose aussi quand même!). Tous deux aiment les chats, les plantes, le rock, rire et voyager. Ils sont drôles, accueillants, généreux, (très) patients mais (super) perfectionnistes et parfois difficiles à mettre d’accord ?
Et voilà le résultat : un mix and match de folie, loin de mes codes habituels et du Wabi-sabi pur et dur, mais dans lequel on retrouve l’essence absolue de cette démarche esthétique japonaise : donner leur chance aux objets du passé, respecter les vibrations, les émotions et l’intime conviction, ne pas chercher à copier ou à être « tendance » mais au contraire, ne jamais oublier que nous sommes des êtres uniques qui avons le droit de vivre dans un lieu unique. Que ce lieu est rare et inédit parce que nous l’avons façonné pièce par pièce, objet par objet, motif par motif, accord après accord, à notre image et selon notre cœur. Cette maison de bord de Seine peuplée de trouvailles vintage et d’icônes du design respire la bonne humeur et la complémentarité de ce couple de clients merveilleux qui resteront des amis. Des clients capables de franchir l’Atlantique pour aller chercher des miroirs que je leur ai proposés mais qui, le temps de passer de la conception à la réalisation, sont sold out en France. Des clients capables de passer la journée avec nous sur le chantier, mètre et niveau à la main, pour nous aider à traquer la perfection dans les finitions. Des clients avec qui refaire le monde, dans la quiétude du jardin, un verre à la main, est un pur moment de bonheur. Merci pour votre confiance, votre ténacité et votre ouverture d’esprit. ????
DE atelier ArchitectsDiseño de comedor contemporáneo de tamaño medio cerrado con suelo de cemento y paredes grises
Brett Bulthuis Photography©Brett Bulthuis 2018
Modelo de comedor vintage abierto con suelo de cemento y suelo gris
Modelo de comedor vintage abierto con suelo de cemento y suelo gris
Malibu HomeImagen de comedor contemporáneo grande abierto sin chimenea con paredes beige, suelo de cemento y suelo gris
Mary Anne Smiley InteriorsDanny Piassick
Ejemplo de comedor vintage grande abierto con paredes beige, suelo de cemento, todas las chimeneas, marco de chimenea de ladrillo y suelo gris
Ejemplo de comedor vintage grande abierto con paredes beige, suelo de cemento, todas las chimeneas, marco de chimenea de ladrillo y suelo gris
Variant Office Architecture & InteriorsModelo de comedor nórdico de tamaño medio abierto con suelo de cemento, suelo gris, vigas vistas y ladrillo
J. Stewart DesignsDiseño de comedor de estilo de casa de campo grande abierto con paredes blancas, suelo de cemento, todas las chimeneas, marco de chimenea de ladrillo y suelo gris
Mark W. Canada Architects, AIAFoto de comedor rústico extra grande abierto con paredes blancas, suelo de cemento, todas las chimeneas y marco de chimenea de piedra
Howells Architecture + DesignDavid Agnello
Imagen de comedor actual extra grande abierto con suelo de cemento, chimenea de doble cara y marco de chimenea de metal
Imagen de comedor actual extra grande abierto con suelo de cemento, chimenea de doble cara y marco de chimenea de metal
FINNE ArchitectsThe Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
550 fotos de comedores con suelo de cemento
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