482 fotos de comedores de tamaño medio con marco de chimenea de hormigón
Filtrar por
Presupuesto
Ordenar por:Popular hoy
21 - 40 de 482 fotos
Mcmahon and NerlichImagen de comedor actual de tamaño medio abierto con paredes blancas, suelo de madera oscura, todas las chimeneas, marco de chimenea de hormigón y suelo negro
Corinthian Fine HomesWe designed and renovated a Mid-Century Modern home into an ADA compliant home with an open floor plan and updated feel. We incorporated many of the homes original details while modernizing them. We converted the existing two car garage into a master suite and walk in closet, designing a master bathroom with an ADA vanity and curb-less shower. We redesigned the existing living room fireplace creating an artistic focal point in the room. The project came with its share of challenges which we were able to creatively solve, resulting in what our homeowners feel is their first and forever home.
This beautiful home won three design awards:
• Pro Remodeler Design Award – 2019 Platinum Award for Universal/Better Living Design
• Chrysalis Award – 2019 Regional Award for Residential Universal Design
• Qualified Remodeler Master Design Awards – 2019 Bronze Award for Universal Design
Bruns ArchitectureTricia Shay Photography
Ejemplo de comedor minimalista de tamaño medio abierto con suelo de cemento, chimenea de doble cara, marco de chimenea de hormigón, paredes blancas y suelo marrón
Ejemplo de comedor minimalista de tamaño medio abierto con suelo de cemento, chimenea de doble cara, marco de chimenea de hormigón, paredes blancas y suelo marrón
Architecture Saville IsaacsInterior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
arbol一級建築士事務所 家族みんなが集まるリビングダイニング。無垢のフローリングと調湿効果のある壁で身体に優しい空間です。
Photographer：Yasunoi Shimomura
Modelo de comedor asiático de tamaño medio abierto con paredes blancas, suelo de madera pintada, estufa de leña, marco de chimenea de hormigón y suelo marrón
Modelo de comedor asiático de tamaño medio abierto con paredes blancas, suelo de madera pintada, estufa de leña, marco de chimenea de hormigón y suelo marrón
Whitten ArchitectsDining Room / 3-Season Porch
Foto de comedor rústico de tamaño medio abierto con paredes marrones, suelo de madera en tonos medios, chimenea de doble cara, marco de chimenea de hormigón y suelo gris
Foto de comedor rústico de tamaño medio abierto con paredes marrones, suelo de madera en tonos medios, chimenea de doble cara, marco de chimenea de hormigón y suelo gris
Coats HomesFoto de comedor actual de tamaño medio abierto con paredes blancas, suelo de cemento, todas las chimeneas, marco de chimenea de hormigón y suelo gris
MacMillan-Pace, LLCDiseño de comedor clásico de tamaño medio cerrado con paredes marrones, suelo de madera oscura, todas las chimeneas, marco de chimenea de hormigón y suelo marrón
Betty Wasserman Art & Interiors: The HamptonsThe kitchen and breakfast area are kept simple and modern, featuring glossy flat panel cabinets, modern appliances and finishes, as well as warm woods. The dining area was also given a modern feel, but we incorporated strong bursts of red-orange accents. The organic wooden table, modern dining chairs, and artisan lighting all come together to create an interesting and picturesque interior.
Project completed by New York interior design firm Betty Wasserman Art & Interiors, which serves New York City, as well as across the tri-state area and in The Hamptons.
For more about Betty Wasserman, click here: https://www.bettywasserman.com/
To learn more about this project, click here: https://www.bettywasserman.com/spaces/hamptons-estate/
Kevin O'Sullivan + AssociatesDetail view of American walnut dining table with custom brass inlay and stained white oak wood floors. Board-formed concrete fireplace wall beyond.
Modelo de comedor costero de tamaño medio abierto con paredes grises, suelo de madera clara, todas las chimeneas, marco de chimenea de hormigón y suelo beige
Modelo de comedor costero de tamaño medio abierto con paredes grises, suelo de madera clara, todas las chimeneas, marco de chimenea de hormigón y suelo beige
Home Carpet OneBring back the fun days of your youth with this refreshing Crayons wall tile series. The popular 3”X 12” subway tiles is re-imagined in this new and wonderful elongated hexagon shape. This new shape stirs up the image of quintessential white picket fence, but with a twist. These “pickets” are not only available in white, but also in some of today’s most fashionable colors. Use them in your bathroom, kitchen or feature wall in your dining room. Crayons by Settecento will help you bring back your youthful creativity.
UserImagen de comedor moderno de tamaño medio abierto con paredes blancas, suelo de madera en tonos medios, todas las chimeneas y marco de chimenea de hormigón
Visbeen ArchitectsModelo de comedor de estilo de casa de campo de tamaño medio abierto con paredes blancas, suelo de madera en tonos medios, todas las chimeneas y marco de chimenea de hormigón
Leslie Williams Interior DesignThis breakfast room is an extension of the family room and kitchen open concept. We added exposed wood beams and all new furnishings.
Ejemplo de comedor tradicional renovado de tamaño medio con con oficina, paredes grises, suelo de madera oscura, todas las chimeneas, marco de chimenea de hormigón, suelo marrón y vigas vistas
Ejemplo de comedor tradicional renovado de tamaño medio con con oficina, paredes grises, suelo de madera oscura, todas las chimeneas, marco de chimenea de hormigón, suelo marrón y vigas vistas
Lambert HomeImagen de comedor de estilo zen de tamaño medio abierto con paredes beige, suelo de madera oscura, todas las chimeneas, marco de chimenea de hormigón y suelo marrón
ホロスホームImagen de comedor blanco industrial de tamaño medio abierto con paredes blancas, suelo de madera oscura, estufa de leña, marco de chimenea de hormigón, suelo marrón, machihembrado y machihembrado
Osada ConstructionModelo de comedor de cocina abovedado de tamaño medio con paredes blancas, suelo de madera en tonos medios, chimenea lineal y marco de chimenea de hormigón
Courtney Thomas DesignWarm, sandy woods, espresso tones, and light plush fabrics come together exquisitely in this open and bright living room. Our goal was to give our clients a luxurious but relaxed style which is why we introduced light earth tones and pale blues.
Clean lines and symmetry are the fundamental elements of this design, so it was important to add in the right amount of texture. With the right textiles, warm organic elements, and artisanal lighting and decor, we created the home of our client's dreams.
Project designed by Courtney Thomas Design in La Cañada. Serving Pasadena, Glendale, Monrovia, San Marino, Sierra Madre, South Pasadena, and Altadena.
For more about Courtney Thomas Design, click here: https://www.courtneythomasdesign.com/
To learn more about this project, click here: https://www.courtneythomasdesign.com/portfolio/la-canada-blvd-house/
Paul Cashin ArchitectsPhotography by Richard Chivers https://www.rchivers.co.uk/
Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century.
The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome.
Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head.
The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles.
Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting.
A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
Artisan Craft HomesArtisan Craft Homes
Ejemplo de comedor rural de tamaño medio abierto con paredes marrones, suelo vinílico, todas las chimeneas, marco de chimenea de hormigón y suelo marrón
Ejemplo de comedor rural de tamaño medio abierto con paredes marrones, suelo vinílico, todas las chimeneas, marco de chimenea de hormigón y suelo marrón
482 fotos de comedores de tamaño medio con marco de chimenea de hormigón
2