44.458 fotos de comedores con paredes grises y paredes rojas
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Mexid Interiorismo
El salón-comedor, de forma alargada, se divide visualmente mediante un panel alistonado con iluminación en la pared, que nos sitúa en cada espacio de manera independiente. Los muebles de diseño se convierten en protagonistas de la decoración, dando al espacio un aire completamente sofisticado.
Momocca Design
Modelo de comedor bohemio con paredes grises, suelo de madera en tonos medios, suelo marrón y papel pintado
Brákara Studio
Foto de comedor escandinavo pequeño abierto con paredes grises, suelo de madera en tonos medios y cuadros
MOLINS DESIGN
La arquitectura moderna que introdujimos en la reforma del ático dúplex de diseño Vibar habla por sí sola.
Desde luego, en este proyecto de interiorismo y decoración, el equipo de Molins Design afrontó distintos retos arquitectónicos. De entre todos los objetivos planteados para esta propuesta de diseño interior en Barcelona destacamos la optimización distributiva de toda la vivienda. En definitiva, lo que se pedía era convertir la casa en un hogar mucho más eficiente y práctico para sus propietarios.
Spaces By Juliana Linssen, Inc.
Mark Pinkerton - Vi360
Modelo de comedor tradicional renovado grande abierto con paredes grises, suelo de madera oscura y suelo marrón
Modelo de comedor tradicional renovado grande abierto con paredes grises, suelo de madera oscura y suelo marrón
Martha O'Hara Interiors
Interior Design by Martha O'Hara Interiors
Photography by Susan Gilmore
This eclectic dining area pulls together warm and cool tones that make this space feel fresh, fabulous & fun! The custom hickory flooring adds a unique touch with the gray wash finish. Martha O'Hara Interiors, Interior Design | Susan Gilmore, Photography
Laura Design Company
Photo by Emily Kennedy Photo
Modelo de comedor campestre grande cerrado sin chimenea con paredes grises, suelo de madera clara y suelo beige
Modelo de comedor campestre grande cerrado sin chimenea con paredes grises, suelo de madera clara y suelo beige
The Design Source
Imagen de comedor clásico renovado de tamaño medio cerrado con paredes grises y suelo marrón
New Interiors Design Co
Formal dining room transformed into a wine room
Ejemplo de comedor actual grande cerrado sin chimenea con paredes grises y suelo de madera clara
Ejemplo de comedor actual grande cerrado sin chimenea con paredes grises y suelo de madera clara
Rethink Design Studio
Richard Leo Johnson
Foto de comedor clásico renovado grande cerrado sin chimenea con paredes grises, moqueta y suelo gris
Foto de comedor clásico renovado grande cerrado sin chimenea con paredes grises, moqueta y suelo gris
Fifi and Coco Interiors
Diseño de comedor de cocina actual con paredes grises, suelo de madera clara y suelo beige
Victory Homes of Wisconsin, Inc
Diseño de comedor clásico renovado de tamaño medio cerrado con paredes grises, suelo de madera en tonos medios y suelo marrón
Sytsma Construction
Diseño de comedor marinero con paredes grises, suelo de madera en tonos medios y suelo marrón
Nine Dot Design
Imagen de comedor de cocina marinero pequeño sin chimenea con paredes grises y suelo de madera clara
Architecture Saville Isaacs
Interior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Chango
Architecture, Construction Management, Interior Design, Art Curation & Real Estate Advisement by Chango & Co.
Construction by MXA Development, Inc.
Photography by Sarah Elliott
See the home tour feature in Domino Magazine
Victory Construction, Inc
Modelo de comedor de cocina de estilo de casa de campo de tamaño medio sin chimenea con paredes grises, suelo de madera clara y suelo marrón
Period Architecture Ltd.
Angle Eye Photography
Modelo de comedor campestre grande con paredes grises, suelo de madera en tonos medios, todas las chimeneas, marco de chimenea de piedra y suelo marrón
Modelo de comedor campestre grande con paredes grises, suelo de madera en tonos medios, todas las chimeneas, marco de chimenea de piedra y suelo marrón
Landmark Homes
This 2-story Arts & Crafts style home first-floor owner’s suite includes a welcoming front porch and a 2-car rear entry garage. Lofty 10’ ceilings grace the first floor where hardwood flooring flows from the foyer to the great room, hearth room, and kitchen. The great room and hearth room share a see-through gas fireplace with floor-to-ceiling stone surround and built-in bookshelf in the hearth room and in the great room, stone surround to the mantel with stylish shiplap above. The open kitchen features attractive cabinetry with crown molding, Hanstone countertops with tile backsplash, and stainless steel appliances. An elegant tray ceiling adorns the spacious owner’s bedroom. The owner’s bathroom features a tray ceiling, double bowl vanity, tile shower, an expansive closet, and two linen closets. The 2nd floor boasts 2 additional bedrooms, a full bathroom, and a loft.
44.458 fotos de comedores con paredes grises y paredes rojas
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